
I believe that we are all connected by roads, no matter how geography may appear to separate us. You, in Chicago, you aren't that far from here. I've driven that way; it's right around the corner. You, in Vancouver, you're as close as the on-ramp at Cortaro and I-10. It might be a few days before we see each other, but I'm almost there. Even you, in Shanghai. There may be a big puddle between us, but between here and the airport is a road that keeps us feeling close.

I fall in love in my car. With music, with the future of me, with the landscape, with the stories that I hear on NPR, with a particular thought that starts to loop around my mind as I drive. The time that I spend, hand on the wheel, or just as often, knee, looks like this album cover. Released just last week, Calexico has made a soundtrack for driving in Tucson. I am that girl on the cover, driving ever forward, down the road. Just look:
In discussing this new album, Joey Burns talked about the loneliness that pervades Downtown Tucson and his desire to capture that in these songs. It isn't just there, where loneliness lives. It stems from the way that the bleached sky of this town makes me feel alone. Or the way that those mannequin heads sit in the Wig-O-Rama storefront window, their hair so precisely arranged in alien colors. Or in the passenger seats of the cars driven by those individual people, slowly cruising down Congress on their way to some other place. Malaise is always portrayed by gray cloudy mornings, wet and cold, the shell of a person in their raincoat, head tucked away from the rain, clomping forward. That is not loneliness or solitude. Not really. Loneliness, as desert rats know, lives under the unrelenting heat of the sun. It is the light that cracks the dirt and fades this world to shades of au. Mauve. Taupe.